posted: 2/6/2008

Spring 2008 (session B)
Room L13
Wednesday, 6 to 10 p.m.
tmorrissey@sci.edu
morrissey@wcusd15.org

Ted Morrissey (CV)
Office”: L13
5:45, after class or by appointment
H: 496-3012 (not after 9 p.m.)
W: 566-3361 (daytime, Williamsville HS)

ENGLISH 232-70 – INTRODUCTION TO AFRICAN AMERICAN AUTHORS (3 Credit Hours)

I. Course Description: English 232 Introduction to African American Authors: select fiction of significant African American authors. The course examines common literary characteristics and historical, cultural and societal issues that have affected the lives of African Americans. Prerequisite: ENG 111 with a grade of C or better. BU LITR 279.  IAI H3 914.

II. Textbooks:

Gilyard, Keith, and Anissa Wardi, eds. African American Literature. New York: Penguin Academics, 2004. [0 321 11341 1]

Morrison, Toni. Beloved. 1987. New York: Plume, 1988. [0 452 26446 4]

Available at SCI's Bookstore.

III. SCI Mission Statement: The mission of Springfield College in Illinois is to provide students the best liberal arts education in the Ursuline tradition of a nurturing faith-based environment. We prepare students for a life of learning, leadership and service in a diverse world.

IV. Goals, objectives and outcomes:

A. Goals:

1. To understand the chronology and evolution of African American literature.
2. To understand significant themes and patterns associated with writings by African American authors.
3. To become familiar with key African American authors.
4. To make connections between various "texts," including but not limited to print and film.
5. To develop analytical expression in both writing and oral presentation.

B. Common Student Learning Objectives:

CK-1 Content Knowledge (Lifelong learning): Know and apply the central concepts of the subject matter
CK-1 Content Knowledge (Lifelong learning): Use current research to support assumptions and beliefs
CS-1 Communication Skills (Lifelong learning and leadership): Communicate effectively in oral and written forms
PS-2 Problem-Solving Skills (Lifelong learning and leadership):Seek information and develop an in-depth knowledge base, grounded in research
SR-2 Social Responsibility (Service and Leadership): Make ethical and informed decisions
SP-1 Self-Direction and Personal Growth (Lifelong learning): Develop a sense of intellectual curiosity
GP-1 Global Perspectives (Diversity): Recognize the importance of diversity of opinion, abilities and cultures.

C. Course Based Student Learning Objectives: Students who have successfully completed ENGLISH 230 will be able to . . .

1. Explore together and individually the visions and values, the norms and the human experiences embodied in the works of women authors. (CK-1, SR-1, SR-2, GP-1, SP-1)
2. Develop an insight into female and male roles in society as defined by cultures and as demonstrated in fiction from the viewpoint of women authors. (CK-1, SR-1, SR-2, GP-1)
3. Examine various techniques used by authors to create meaning in texts. (CK-1)
4. Develop the ability to listen to others' opinions, and to communicate one's own opinion in class discussions, written work, and presentations. (CK-1, CS-1, SR-3, GP-1, SP-1)
5. Develop the power of reflection and the ability to formulate questions in response to literature and critical articles about the literature. (PS-1, PS-3)
6. Develop the ability to make critical judgments in response to literature and to support those judgments through analysis. (CK-1, CK-2, CS-1, PS-1, SR-1).

V. Teaching Methodology:

The classroom is considered a discourse community in which students collaborate in the learning process. Students will be involved in peer work, group discussions, pre- and rewriting activities, and projects. There will be intervention in students' writing process, and response to student writing, by both the instructor and other students. To be successful, students must come to class prepared, which means having all reading and writing assignments done before they are due.

VI. Course Requirements:

Attendance: As in every other class, absences will negatively affect your grade. To avoid class disruption, students must be seated by 6:00. Arriving between 6:00 and 6:05 will be considered a “late” (three lates equal one-half hour absence); between 6:05 and 6:30, one-half hour absence; between 6:30 and 7:00, one hour absence; etc. Missing an entire class session equals 4.0 hours. Missing six hours is an automatic F, regardless of a student's current grade.

Your goal should be to attend all classes and to have an absence only when it is a true emergency. If you know you are going to be absent (or late), you should contact me as early as possible. This will not "excuse" the absence, but it is considered the appropriate behavior in college. College is like a job in this respect: If you were going to miss work, you presumably would call your supervisor in advance – you would not simply fail to come to work, then wander in the next time you were scheduled (if so, you would not be scheduled a next time).

Behavior: Be attentive to the instructor and your classmates. Private conversations and jokes are rude and disruptive. Turn off your cell phone too.

Work:

1. Completion of all assigned readings and writings according to given deadlines.
2. In-class and out-of-class assignments.
3. Participation in peer activities, sharing of written work, and group discussions.
4. Active involvement in mechanics of all writing projects.
5. Conferences regarding writing assignments as needed.
6. Final project.

VII. Evaluation Criteria:

There are numerous required activities for this course, and not all of them will be graded. Work (generally described as “homework”) that does not receive a numerical score, may be given one of three grades: A check mark indicates an assignment was completed in an acceptable and timely manner; a plus signifies that an assignment was completed with special thoroughness and accuracy; a minus signifies that an effort was substandard. Each check is worth one point; a plus 1.5 points, and a minus .5; the total will be multiplied by an appropriate number determined by the instructor to establish a homework grade. Students are expected to complete all assignments, graded or not.

Points will be deducted for issues of misspelling and nonstandard mechanics according to the SCI English/Speech Department Guidelines for the Evaluation of Formal Composition (unless the departures from standard written practice are knowingly done for creative effect).

Late papers will not be accepted, and each will be scored as a zero. Assignments are due even if you are not physically in class.  If you do not turn in the First Critical Paper on time, you may turn it in by the due date for the optional revision; however, you will not be able to improve the grade you receive for this “revised” draft; also, this draft must be submitted to Blackboard’s SafeAssign as if it were turned in on time in the first place.

Plagiarism – presenting the ideas or words of another as if they are one's own – is literary dishonesty and will not be tolerated. Nor will others forms of academic dishonesty be tolerated. If the instructor deems that the plagiarism is a willful attempt to cheat, the student will receive a zero for the paper with no opportunity to revise, and the SCI administration will be notified.

Final Grade will be based on a percentage of the total score: A- to A+ = 90 to 100%; B- to B+ = 80 to 89%; C- to C+ = 70 to 79%; D- to D+ = 60 to 69%. Note that plus and minus will be affixed to the letter grade as deemed appropriate by the instructor based on various factors, including attendance, work ethic, attitude, and overall participation.

Incomplete grades:  According to the SCI catalog, students requesting an incomplete grade for a class must have completed at least 75% of the course work.  It is my policy that students must make a request to me in writing no later than one week before final exams explaining in detail why they cannot finish the remainder of the coursework.  Acceptable reasons are student illness requiring bed rest or hospitalization, major family crisis, or circumstances beyond the student’s control.  I will only issue an incomplete grade at my discretion.

Directions for Written Work:

Keep all assignments, formal and informal, prewriting, revisions, and final drafts until final grades are received.

If you opt to do a revision of your first critical paper, you must turn in the graded copy of the paper with the revision.

Out-of-class Paper Requirements:

Each paper must be . . .

1. Typed (printed) in 12-point, Times New Roman font, double-spaced.
2. Presented in MLA style and format (see A Writer's Reference (from ENG 111 or 112)), or another printed or online MLA source, like the following:
http://www.library.ilstu.edu/assets/pdf/handouts/mlaprint.pdf (print sources)
http://www.mlb.ilstu.edu/ressubj/subject/intrnt/mla.htm (electronic & online sources)
3. Three to five pages in length (not including required Works Cited page) and represent a "completed" paper.
4. Submitted to Blackboard
’s SafeAssign feature.

Three Keys to Success:

* Attend all classes and be on time.
* Turn in all assignments on time.
* Ask for help when you need it.

One or More of the Following Will Lead to Failure:

* Miss class and/or consistently be late.
* Fail to turn in assignments or to turn them in on time.
* Not asking for help when you need it.

VIII. Weekly Assignments: (Note: Syllabus is subject to change. All page numbers refer to African American Literature, except those specific to Beloved in weeks 5, 6, and 7)

Week 1

March 5


The Middle Passage

Before the first session, read the following:
* Ch. 1,
“The Middle Passage, Mourning, and Survival” (1-5)
* The Interesting Narrative . . . (O. Equiano 6-19)
*
“Middle Passage” (R. Hayden 19-25)
*
“A Death Song” (P. L. Dunbar 62)
*
“Looking for Zora” (A. Walker 78, 79-96)

In class:
* Film: Amistad (2:32—perhaps excerpts)

Course Introduction / Reflection on readings & film / Discussion / Quick Response

Week 2

March 12

Folklore & Literature

Read before class:
* Ch. 4,
“Folklore” (331-36)
*
“The Signifying Monkey” (anon. 336-38)
*
“John Henry” (anon. 378-81)
* John Henry Days (C. Whitehead 383-88)
* Baby of the Family (T. M. Ansa 427-49)
* Also, turn one of the Week 1 discussion questions into a one- to two-page mini-essay.
* Consider reading and contributing to the Middle Passage blog on Blackboard.

Reflection on readings / Discussion / Quick Response

Spring Break March 17-22

 

Week 3

March 26

Jeremiads

Read before class:
* Ch. 9,
“Jeremiads” (931-36)
*
“The Blood of the Slave . . .” (F. Douglass 241, 945-48)
*
“Emancipation, Racism, and the Work Before Us” (F. Douglass 949-59)
* A Red Record (I. B. Wells-Barnett (976-80)
* Mob Rule in New Orleans (I. B. Wells-Barnett 981-82)
*
“I Have a Dream” (M. L. King 1003, 1007-11)
*
“Where Do We Go from Here?” (M. L. King 1011-16)
* Also, turn one of the Week 2 discussion questions into a one- to two-page mini-essay.
* Consider reading and contributing to the Jeremiads blog on Blackboard.

Reflection on readings / Discussion / Quick Response

Prewriting for First Critical Paper: Issues in African American Literature

Week 4

April 2

Statements of Feminism

First Critical Paper Due: Issues in African American Literature (400 points) – make sure to also upload your paper to Blackboard (requirement)

Read before class:
* Ch. 11,
“Statements of Feminism” (1141-46)
*
“The Awakening of the Afro-American Woman” (V. E. Matthews 1170-77)
*
“A New Politics of Sexuality” (J. Jordan 1191, 1199-1204)
*
“the f-word” (J. Morgan 1238-47)

In class:
Film: The Color Purple (2:34)

Reflection on readings & film / Discussion / Quick Response

Week 5

April 9

Major American Voice

Read before class:
* Beloved (T. Morrison 1-85)
* Also, turn one of the Week 4 discussion questions into a one- to two-page mini-essay.
* Consider reading and contributing to the Beloved blog on Blackboard.

Reflection on reading / Discussion / Quick Response

Week 6

April 16

Major American Voice

Read before class:
* Beloved (86-199)
* Also, turn one of the Week 5 discussion questions into a one- to two-page mini-essay.
*  Consider reading and contributing to the Beloved blog on Blackboard.

Reflection on reading & film / Discussion / Quick Response

Week 7

April 23


Major American Voice

Revision of First Critical Paper Due (optional)

Read before class:
* Beloved (200-275 (end))
* Also, turn one of the Week 6 discussion questions into a one- to two-page mini-essay.
* Consider reading and contributing to the Beloved blog on Blackboard.

Reflection on readings / Discussion / Quick Response

Prewriting for Second Critical Paper: Issues in Beloved

Week 8

April 30

African American Literature:
Retrospective

Second Critical Paper Due: Issues in Beloved (400 points) – make sure to also upload your paper to Blackboard (requirement)

In-class Final Project & Presentation Due: Tracing a Theme through Intertextuality (200 pts.)

Grades:
First Paper 400 pts.
Second Paper 400 pts.
Final Project & Presentation 200 pts.
”Homework” 100 pts.

Total 1,100 pts.

IX. Americans with Disabilities Act (ADA):

Springfield College in Illinois provides individuals with disabilities reasonable accommodations to participate in educational programs, activities and services. Students with disabilities requiring accommodations to participate in college-sponsored programs, activities, and services or to meet course requirements should contact the Director of the Resource Center as early as possible.

X. Assessment:  Assessment will be an on-going part of the course. In addition to providing feedback on essays and homework assignments, the instructor will ask that you complete a Quick Response form at the conclusion of each class period. Your responses may be shared with the class if the instructor determines that it would be useful to do so.

Instructor assessment: You are invited to visit RateMyProfessor.com, and give your instructor an informal evaluation. This is purely for the instructor's own use; your rating has no bearing on his employment with the college; nor will it affect your grade since it is completely anonymous.

XI.  Illinois Articulation Initiative: ENG 232 has been approved by the Illinois Articulation Initiative as meeting the criteria stipulated for H3 910D: American Ethnic Literature (3 semester credits) Examination of various types of literary works that reflect the experience and construction of racial and cultural minority identity.