posted: 2/10/2008

Spring 2009 (session B)
Room D225
Tuesday, 6 to 10 p.m.
tmorrissey@sci.edu
morrissey@wcusd15.org

Ted Morrissey (CV)
Office”: D225
5:45, after class or by appointment
H: 496-3012 (not after 9 p.m.)
W: 566-3361 (daytime, Williamsville HS)

ENGLISH 216-70 - CREATIVE WRITING: FICTION (3 Credit Hours)

I. Course Description: English 216 Creative Writing: Fiction is a course designed for students who have an interest in producing original creative prose works, especially the short story. Students will both write creatively and analyze the creative works of others to gain a better understanding of the writing process. Issues related to publication and writing for publication will be a significant focus of the course as well. A student must earn a grade of "C" or better to receive credit toward graduation. Prerequisite: English 111 with a grade of "C" or better.

II. Textbooks:

Braver, Adam.  Mr. Lincoln’s Wars.  New York: HarperCollins, 2004.

Burroway, Janet, with Susan Weinberg. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003.

Available at SCI's Bookstore.

Note:  I will go over much of this syllabus in class but not every word.  It is your responsibility to read the entire syllabus and ask questions if you do not understand any part of it.  Being familiar with the contents of the syllabus will enhance your performance in this course.

III. Mission Statements:

SCI: The mission of Springfield College in Illinois is to provide students the best liberal arts education in the Ursuline tradition of a nurturing faith-based environment.  We prepare students for a life of learning, leadership and service in a diverse world.

            

BU: Benedictine University is dedicated to the education of undergraduate and graduate students from diverse ethnic, racial and religious backgrounds. As an academic community committed to liberal arts and professional education distinguished and guided by our Roman Catholic tradition and Benedictine heritage, we prepare our students for a lifetime as active, informed and responsible citizens and leaders in the world community.

IV. Goals, objectives and outcomes:

1. To understand the structure and elements of fiction and the writing process.
2. To produce fully developed works of fiction.
3. To demonstrate an understanding of the critical terminology of the creative writer.
4. To practice standard English for editing and proofreading.
5. To examine outlets for creative writing (i.e. publication), both traditional print and electronic.

B. Common Student Learning Objectives:

CK-1 Content Knowledge (Lifelong learning): Know and apply the central concepts of the subject matter
CK-1 Content Knowledge (Lifelong learning): Use current research to support assumptions and beliefs
CS-1 Communication Skills (Lifelong learning and leadership): Communicate effectively in oral and written forms
PS-2 Problem-Solving Skills (Lifelong learning and leadership):Seek information and develop an in-depth knowledge base, grounded in research
SR-2 Social Responsibility (Service and Leadership): Make ethical and informed decisions
GP-1 Global Perspectives (Diversity): Recognize the importance of diversity of opinion, abilities and cultures.

C. Course Based Student Learning Objectives: Students who have successfully completed ENGLISH 216 will be able to . . .

1. Find ideas for fiction and develop those creative ideas via drafting and revision. (CK-1, CS-1)
2. Manipulate fictional elements like characterization, plot, and setting to achieve a desired effect. (CK-1, CS-1)
3. Analyze and discuss the elements of fiction as they are manifested in their own and others' creative writing. (CK-1, PS-2, GP-1)
4. Use terminology associated with creative writing. (CK-1)
5. Successfully participate in "workshop" sessions with their peers. (CK-1, SR-2)
6. Locate possible publishing outlets for their creative work. (CK-1, PS-2, GP-1)
7. Understand basic differences between creative and expository writing. (CK-1, CS-1)

V. Teaching Methodology:

The classroom is considered a discourse community in which students collaborate in the learning process. Students will be involved in peer work, group discussions, pre- and rewriting activities, and conferencing. There will be intervention in students’ creative writing process, and response to student writing, by both the instructor and other students. To be successful, students must come to class prepared, which means having all reading and writing assignments done before they are due. Note: “Creative Writing: Fiction” is not an “easy” class. Writing quality short stories is every bit as challenging as writing quality essays. Moreover, even though there is a strong emphasis on writing in creative writing, analytical reading is also a major part of the course. To be an effective writer, you must be an effective reader.

VI. Course Requirements:

Attendance: As in every other class, absences will negatively affect your grade. To avoid class disruption, students must be seated by 6:00. Arriving between 6:00 and 6:05 will be considered a “late” (three lates equal one-half hour absence); between 6:05 and 6:30, one-half hour absence; between 6:30 and 7:00, one hour absence; etc. Missing an entire class session equals 4.0 hours. Missing six hours is an automatic F, regardless of a student's current grade.

Your goal should be to attend all classes and to have an absence only when it is a true emergency. If you know you are going to be absent (or late), you should contact me as early as possible. This will not "excuse" the absence, but it is considered the appropriate behavior in college. College is like a job in this respect: If you were going to miss work, you presumably would call your supervisor in advance—you would not simply fail to come to work, then wander in the next time you were scheduled (if so, you would not be scheduled a next time).

Behavior: Be attentive to the instructor and your classmates. Private conversations and jokes are rude and disruptive. Turn off your cell phone too.

Work:

1. Completion of all assigned readings and writings according to given deadlines.
2. In-class and out-of-class assignments.
3. Participation in peer activities, sharing of written work, and group discussions.
4. Active involvement in mechanics of all writing projects.
5. Conferences regarding writing assignments as needed.
6. Final project.

Academic Integrity Statement

 

Academic and professional environments require honesty and integrity, and   these qualities are expected of every student at Springfield College-Benedictine University. In accordance with such expectations, academic integrity requires that you credit others for their ideas.  Plagiarism, whether intentional or not, is a grievous offense. Any time you use words or ideas that are not your own, you must give credit to the author, whether or not you are quoting directly from that author. Failure to do so constitutes plagiarism.

 

Any incident of plagiarism and/or academic dishonesty may result in serious consequences. Penalties for academic dishonesty vary depending on the severity or extent of the problem but are always serious.

 

The following are consequences you may face for academic dishonesty:

·         a failing grade or “zero” for the assignment;

·         dismissal from and a failing grade for the course; or

·         dismissal from the Institution.

 

Please refer to the Springfield College Benedictine University Catalog or the Student Handbook for a complete discussion of the Academic Integrity policy.

VII. Evaluation Criteria:

There are numerous required activities for this course, and not all of them will be graded. Work (generally described as “homework”) that does not receive a numerical score, may be given one of three grades: A check mark indicates an assignment was completed in an acceptable and timely manner; a plus signifies that an assignment was completed with special thoroughness and accuracy; a minus signifies that an effort was substandard. Each check is worth one point; a plus 1.5 points, and a minus .5; the total will be multiplied by an appropriate number determined by the instructor to establish a homework grade. Students are expected to complete all assignments, graded or not.

Points will be deducted for issues of misspelling and nonstandard mechanics according to the SCI English/Speech Department Guidelines for the Evaluation of Formal Composition (unless the departures from standard written practice are knowingly done for creative effect).

Late papers will not be accepted, and each will be scored as a zero. Assignments are due even if you are not physically in class.

Final Grade will be based on a percentage of the total score: A = 90 to 100%; B = 80 to 89%; C = 70 to 79%; D = 60 to 69%; F = 0 to 59%.  Note that the instructor reserves the right to bump up a grade if the student demonstrates special effort in the course.  Behaviors like perfect attendance, meaningful participation in class discussions, and in general an eagerness to learn and to improve one’s reading and writing skills could be taken into consideration when calculating the final grade.

Grade Appeal Process

According to the Springfield College Catalog, grade appeals must be initiated 90 days prior to the end of one semester after the course in question has been completed. The process for appealing a grade is outlined below.

         

          First, contact the Instructor.

1.                 A student must appeal to his/her instructor in writing (e-mail is acceptable) and provide specific reasons why his/her grade should be changed.

2.                 The instructor must respond to the student in writing (e-mail is acceptable) and provide a copy to the division chair. Second, contact the Division Chair.

3.                 If the student wishes, he/she may then appeal to the division chair in writing (e-mail is acceptable) and provide specific reasons why his/her grade should be changed without the instructor’s permission. The student should understand that overwhelming evidence must be presented to the division chair to prove that the current grade is incorrect.

4.       The division chair must respond to the student in writing (e-mail is acceptable) and provide a copy to the academic dean. Lastly, contact the Academic Dean.

5.       If the student wishes, he/she may appeal to the academic dean in writing (e-mail is acceptable) and provide specific reasons why his/her grade should be changed without the instructor’s or the division chair’s permission. The student should understand that overwhelming evidence must be presented to the academic dean to prove the grade is incorrect.

6.       The academic dean must respond to the student in writing (e-mail is acceptable). The academic dean’s decision is final.

 

Due to the accelerated nature of the course, should you experience a medical condition which prevents you from attending any class(es), appropriate medical documentation must be provided immediately so it may be determined what, if any, accommodations are reasonable or possible.

 

Drop Dates

March 23 - Last day to drop with 100% refund
March 30 - Last day to withdraw with 25% refund
April 20 - Last day to withdraw from class

See Adult Accelerated Calendar.

Directions for Written Work:

Keep all assignments, formal and informal, prewriting, revisions, and final drafts until final grades are received.

If you opt to do a revision of your first critical paper, you must turn in the graded copy of the paper with the revision.

Out-of-class Paper Requirements:

Each short story must be . . .

1. Typed (printed) in 12-point, Times New Roman font, double-spaced.
2. Five to ten pages in length and represent a “completed” story.
3. Submitted to Blackboard
’s SafeAssign feature.

Three Keys to Success:

* Attend all classes and be on time.
* Turn in all assignments on time.
* Ask for help when you need it.

One or More of the Following Will Lead to Failure:

* Miss class and/or consistently be late.
* Fail to turn in assignments or to turn them in on time.
* Not asking for help when you need it.

VIII. Weekly Assignments: (Note: Syllabus is subject to change. All page numbers refer to Writing Fiction, except for weeks 7 and 8, during which you’ll read Mr. Lincoln’s Wars. )

Week 1

March 10

Before first session:
* Read “To Students: About the Writing Workshop” (xiv)
* Read Ch. 1: “Whatever Works: The Writing Process” (1)
* Read “Shitty First Drafts” (18)
* Write a one- to two-page journal entry in which you describe a recent event (something significant or mundane) and focus on using sensory details (i.e., adjectives that appeal to the five senses)

In Class:
* Course introduction
* View excerpt from film: Alex & Emma
* Discuss readings
* Share parts of journal writing
* Quick Response

Week 2

March 24

Before Class:
* Read Ch. 2: “The Tower and the Net: Story, Form, Plot, and Structure” (30)
* Read “Silver Water” (57)
* Read “Happy Endings” (64)
* Read Ch. 3: “Seeing Is Believing: Showing and Telling” (74)
* Read “The Things They Carried” (90)
* Write journal entries (#1 - focus: character details; #2 - focus: scene vs. summary) Note: Students 1, 2, 3 & 4 may turn in their entries May 25.

In Class:
* Summarize and discuss readings
* Share journal entries
* Students 1, 2, 3 & 4 distribute their first short story
* Quick Response

Week 3

March 31

Before Class:
* Read/Critique stories by Student Writers
* Read Ch. 4: “Building Character: Characterization, Part I” (118)
* Read: “Gryphon” (132)
* Read Ch. 5: “The Flesh Made Word: Characterization, Part II” (157)
* Read “Hills Like White Elephants” (181)

In Class:
* Workshop stories by Students 1, 2, 3 & 4
* Summarize and discuss readings
* Students 5, 6, 7 & 8 distribute stories
* Quick Response

Week 4

April 7

Before Class:
* Read/Critique stories by Student Writers
* Read Ch. 6: “Long Ago and Far Away: Fictional Place and Time” (198)
* Read “Bullet in the Brain” (248)
* Read Ch. 7: “Call Me Ishmael: Point of View, Part I” (254)
* Read “Lectures on How You Never Lived Back Home” (282)

In Class:
* Workshop stories by Students 5, 6, 7 & 8
* Summarize and discuss readings
* Students 9, 10, 11 & 12 distribute stories
* Quick Response

Week 5

April 14

Before Class:
* Read/Critique stories by Student Writers
* Read Ch. 8: “Assorted Liars: Point of View, Part II” (287)
* Read “Jealous Husband Returns in Form of Parrot” (306)
* Read Ch. 9: “Is and Is Not: Comparison” (325)
* Read “Eyes of a Blue Dog” (351)

In Class:
* Workshop stories by Students 9, 10, 11 & 12
* Summarize and discuss readings
* Students 1, 2, 3 & 4 distribute their second short story
* Quick Response

Week 6

April 21

Before Class:
* Read/Critique stories by Student Writers
* Read Ch. 10: “I Gotta Use Words When I Talk to You: Theme” (357)
* Read “A Man Told Me the Story of His Life” (361)
* Read Ch. 11: “Play It Again, Sam: Revision” (395)
* Read “Dud” (407)

In Class:
* Workshop stories by Students 1, 2, 3 & 4
* Summarize and discuss readings
* Students 5, 6, 7 & 8 distribute stories
* Quick Response

Week 7

April 28

Before Class:
* Read/Critique stories by Student Writers
* Read stories assigned from Mr. Lincoln’s Wars

In Class:
* Workshop stories by Students 5, 6, 7 & 8 
* Summarize and discuss readings
* Students 9, 10, 11 & 12 distribute their second short story
* Quick Response

Week 8

May 5

Before Class:
* Read/Critique stories by Student Writers
* Read stories assigned from Mr. Lincoln’s Wars

In Class:
* Workshop stories by Students 9, 10, 11 & 12
* Revision of either Story 1 or Story 2 due
* Analysis of publication possibilities
* Conferences with instructor

Grades:
First Story 400 pts.
Second Story 400 pts.
Story revision 400 pts.
Homework” 100 pts.

Total 1,300 pts.

IX. Americans with Disabilities Act (ADA):

Springfield College in Illinois provides individuals with disabilities reasonable accommodations to participate in educational programs, activities and services. Students with disabilities requiring accommodations to participate in college-sponsored programs, activities, and services or to meet course requirements should contact the Director of the Resource Center, Amy Roberts, as early as possible.

If documentation of the disability (either learning or physical) is not already on file, it may be requested. Once on file, an individual student’s disability documentation is shared only at that individual’s request and solely with the parties whom the student wishes it shared.  Requests are kept confidential and may be made by emailing aroberts@sci.edu or by calling 217-525-1420, ext. 233.

X. Assessment:  Assessment will be an on-going part of the course. In addition to providing feedback on essays and homework assignments, the instructor will ask that you complete a Quick Response form at the conclusion of each class period. Your responses may be shared with the class if the instructor determines that it would be useful to do so.

Instructor assessment: You are invited to visit RateMyProfessor.com, and give your instructor an informal evaluation. This is purely for the instructor's own use; your rating has no bearing on his employment with the college; nor will it affect your grade since it is completely anonymous.

XI.  Illinois Articulation Initiative: ENG 216 has been approved by the Illinois Articulation Initiative.